Open AccessRemembered: Zofia Rydet in the Biographically-Oriented Perspective of the Sociology of Art
Author(s) -
Tomasz Ferenc
Publication year - 2021
Publication title -
przegląd socjologii jakościowej
Language(s) - English
Resource type - Journals
ISSN - 1733-8069
DOI - 10.18778/1733-8069.17.3.11
Subject(s) - interpretation (philosophy) , perspective (graphical) , biography , photography , trips architecture , field (mathematics) , sociology , aesthetics , visual arts , art , history , art history , linguistics , philosophy , mathematics , parallel computing , computer science , pure mathematics
Zofia Rydet is one of the most outstanding Polish and even European artists of the second half of the 20th century. She left a huge artistic legacy, but her biography still in many respects remains a mystery. The memory of a great artist is often mythologized, and the interpretation of the work after his/her death begins to separate from the original intentions of the creator. These are processes of great interest to art historians and sociologists alike. They can be studied by adopting the methods of the biographically-oriented sociology of art. This article uses some of these methods, namely the analysis of the existing documents, archival research, and interviews. The analysis of the collected material has revealed how Rydet was remembered by those who had the opportunity to meet her, accompanied her during field trips, and talked with her about art and photography. The aim of such research is to try to get to know the artist better, as well as to understand her work and the social functioning in what was a very specific time and environment.