Open AccessTwo Paradigms – Two Art Worlds: On Constructing the Difference as a Strategy for Validating the Concept of the Artist and Art
Author(s) -
Agata Sulikowska-Dejena
Publication year - 2021
Publication title -
przegląd socjologii jakościowej
Language(s) - English
Resource type - Journals
ISSN - 1733-8069
DOI - 10.18778/1733-8069.17.3.06
Subject(s) - credence , subject (documents) , process (computing) , art methodology , possible world , the arts , contemporary art , art world , field (mathematics) , aesthetics , studio art , art , visual arts , computer science , epistemology , visual arts education , mathematics , art history , philosophy , world wide web , performance art , machine learning , pure mathematics , operating system
The subject of the article is two art worlds in the field of visual arts which currently exist side by side in Poland. These worlds operate as part of two different paradigms of art, which is why two different definitions of the art and artist apply to them, and, in consequence, also different models of operation. What is important in the case of both communities is the process of constructing the difference and separating out their own communities of meanings, being a strategy to lend credence to their own concept of the art and artist, as well as their position in the art world. The aim of the article is to describe the process of constructing internal boundaries in the Polish art world and its division into two separate worlds, what means have been used in that process, as well as what are the consequences of belonging to the two separate art worlds for their participants.