Open AccessThe poetics of color in the works of Nikolai Gogol and Mikhail Zoshchenko
Author(s) -
Bao Tingting,
AUTHOR_ID
Publication year - 2021
Publication title -
professorskij žurnal. seriâ: russkij âzyk i literatura: izučenie i prepodavanie
Language(s) - English
Resource type - Journals
ISSN - 2687-0339
DOI - 10.18572/2687-0339-2021-3-31-38
Subject(s) - plot (graphics) , poetics , comics , context (archaeology) , literature , art , palette (painting) , uniqueness , convergence (economics) , aesthetics , poetry , history , mathematics , psychology , visual arts , social psychology , economics , statistics , archaeology , economic growth
In Zoshchenko’s early stories and short stories, Gogol’s traditions are felt clearly and many of their points of convergence are revealed: the image of the “little man”, the fantastic manner, the specifics of the plot, the motivational and plot roll calls, the nature of the comic. It is worth noting that in the context of literary work, color carries an important semantic load, and the coloristic art of Zoshchenko and Gogol is also close to each other in symbolic complexity. So, in this article, we will try to analyze the uniqueness of the color palette of writers.