
Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914
Author(s) -
Bart Pushaw
Publication year - 2016
Publication title -
international journal for history culture and modernity
Language(s) - English
Resource type - Journals
ISSN - 2213-0624
DOI - 10.18352/hcm.503
Subject(s) - latvian , estonian , german , nationalism , hegemony , independence (probability theory) , empire , ethnic nationalism , history , political science , ancient history , law , archaeology , politics , philosophy , linguistics , statistics , mathematics
In the areas now known as Estonia and Latvia, art remained a field for the Baltic German minority throughout the nineteenth century. When ethnic Estonian and Latvian artists gained prominence in the late 1890s, their presence threatened Baltic German hegemony over the region’s culture. In 1905, revolution in the Russian Empire spilled over into the Baltic Provinces, sparking widespread anti-German violence. The revolution also galvanized Latvian and Estonian artists towards greater cultural autonomy and independence from Baltic German artistic institutions. This article argues that the situation for artists before and after the 1905 revolution was not simply divisive along ethnic lines, as some nationalist historians have suggested. Instead, this paper examines how Baltic German, Estonian and Latvian artists oscillated between common interests, inspiring rivalries, and politicized conflicts, questioning the legitimacy of art as a universalizing language in multicultural societies.