
Stawka i konflikt jako mechanizmy budowania suspensu w filmach o Jamesie Bondzie. Raport z badań
Author(s) -
Stanisław Dunin-Wilczyński
Publication year - 2020
Publication title -
roczniki nauk społecznych
Language(s) - English
Resource type - Journals
eISSN - 2544-5812
pISSN - 0137-4176
DOI - 10.18290/rns20484-3
Subject(s) - absurdity , plot (graphics) , politics , context (archaeology) , psychology , social psychology , political science , sociology , history , law , philosophy , epistemology , statistics , mathematics , archaeology
The stakes play an important role in intensifying the conflict between the protagonist and the antagonist, and thus, the emotional reaction of the target audience. The James Bond film series often follow a plot pattern of „preventing atrocity”, in which the main character is supposed to stop the villain from implementing a morally evil plan. Stakes modification is done through various techniques: by masking the actual stakes, by increasing the negative consequences of a failure, by increasing the positive consequences of winning and by reducing the possibility of achieving the goal. Moreover, these films are characterized by the global nature of the conflict, which is emphasized on two levels. At the level of the threat scale, where public goals (political, economic, social, humanitarian consequences) are more important than private goals (emotional, moral consequences). And at the level of the form of the threat, where the stakes of the conflict are embedded in fantastic fear. The absurdity and caricatural nature of threats is realized by presenting them in the context of a conflict of values (e.g. good versus evil).