Open AccessHorrible Heroes: Liberating Alternative Visions of Disability in Horror
Author(s) -
Melinda C. Hall
Publication year - 2016
Publication title -
disability studies quarterly
Language(s) - English
Resource type - Journals
eISSN - 2159-8371
pISSN - 1041-5718
DOI - 10.18061/dsq.v36i1.3258
Subject(s) - ableism , vision , disability studies , aesthetics , sociology , politics , trademark , art , psychoanalysis , psychology , gender studies , law , political science , anthropology
Understanding disability requires understanding its social construction, and social construction can be read in cultural products. In this essay, I look to one major locus for images of persons with disabilities—horror. Horror films and fiction use disability imagery to create and augment horror. I first situate my understanding of disability imagery in the horror genre using a case study read through the work of Julia Kristeva. But, I go on to argue that trademark moves in the horror genre, which typically support ableist assumptions, can be used to subvert ableism and open space for alternative social and political thinking about disability. I point to the work of Tim Burton and Stephen King to demonstrate these possibilities in horror.