The World of Signs in Gogol’s “The Overcoat”: The Awkward Combination of Signs and Floating Signifiant | Zendy

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The World of Signs in Gogol’s “The Overcoat”: The Awkward Combination of Signs and Floating Signifiant

Author(s) -

Dae-Hwa Hong

Publication year - 2015

Publication title -

the korean journal of slavic studies

Language(s) - English

Resource type - Journals

ISSN - 1225-0406

DOI - 10.17840/irsprs.2015.31.2.003

Subject(s) - art

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