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Landscape as a Leitmotif of a Film
Author(s) -
Nadezhda A Shakhovskaya
Publication year - 2016
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik8143-53
Subject(s) - humanity , aesthetics , white (mutation) , element (criminal law) , art , sociology , visual arts , philosophy , political science , law , biochemistry , chemistry , theology , gene
The article examines the landscape as a significant element of the films plastic composition and semantic structure. Taking Andrey Konchalovskys The Postmans White Nights as an example, the author analyses the role of documentary aesthetics in describing the relationship between humanity and nature, revealing the estrangement of the two realms.

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