Naomi Kawase: the Eternal and the Transitory | Zendy

Maria L Terakopyan | Zendy

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Naomi Kawase: the Eternal and the Transitory

Author(s) -

Maria L Terakopyan

Publication year - 2015

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik74121-127

Subject(s) - minimalism (technical communication) , style (visual arts) , feature (linguistics) , art , visual arts , art history , literature , history , linguistics , philosophy , computer science , human–computer interaction

Naomi Kawase is one of the most renown female Japanese director, awarded by the Cannes Film Festival more than once. She works alternately in fiction and documentary film, not drawing a distinct line between the two. Her favored themes are birth and death, the union of man and nature; the most distinctive feature of her style is technical minimalism. The region of Nara, Kawases home - is almost always the location for her films.

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