European Avant-guard: Dialectics of “Feature” and “Non-feature” Films | Zendy

Maxim Vyacheslavovich Lyubovich | Zendy

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European Avant-guard: Dialectics of “Feature” and “Non-feature” Films

Author(s) -

Maxim Vyacheslavovich Lyubovich

Publication year - 2015

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik74100-110

Subject(s) - movie theater , dialectic , stylistics , poetry , art , film director , avant garde , consciousness , literature , context (archaeology) , feature (linguistics) , interpretation (philosophy) , aesthetics , subject (documents) , art history , philosophy , history , linguistics , epistemology , computer science , archaeology , library science

The article concludes the early stages of methodology of phenomenological interpretation of reality in its forming in the context of the European avant-garde cinema. The subject to analysis is the dichotomy of fiction and non-fiction aesthetics in the documentary stylistics and poetic consciousness, based on the films of Dmitry Kirsanov, Joris Ivens, and Luchino Visconti.

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