Open AccessEuropean Avant-guard: Dialectics of “Feature” and “Non-feature” Films
Author(s) -
Maxim Vyacheslavovich Lyubovich
Publication year - 2015
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik74100-110
Subject(s) - movie theater , dialectic , stylistics , poetry , art , film director , avant garde , consciousness , literature , context (archaeology) , feature (linguistics) , interpretation (philosophy) , aesthetics , subject (documents) , art history , philosophy , history , linguistics , epistemology , computer science , archaeology , library science
The article concludes the early stages of methodology of phenomenological interpretation of reality in its forming in the context of the European avant-garde cinema. The subject to analysis is the dichotomy of fiction and non-fiction aesthetics in the documentary stylistics and poetic consciousness, based on the films of Dmitry Kirsanov, Joris Ivens, and Luchino Visconti.