
On prerequisites for developing artistic time theory
Author(s) -
Natalia Eevgenyevna Marievskaja
Publication year - 2014
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik6149-58
Subject(s) - ilya , interpretation (philosophy) , realization (probability) , contemplation , soul , duration (music) , doctrine , computer science , process (computing) , aesthetics , epistemology , frame (networking) , philosophy , art , literature , mathematics , linguistics , telecommunications , statistics , theology , operating system
Basic prerequisites for developing artistic time theory have been considered in the present article in reference to Aurelius Augustine time interpretation, P. Florenskys doctrine of time within time procedural construction aspect, and Ilya Prigozhins processes formation. Film is a sequence of segments having quite different temporal features depending on a certain structural principle. Anyhow all the segments in question predominate the current present. The differences in duration exist in human beings soul. Their multi-layered features were proved by Aurelius Augustine. He differentiated present of the current, i.e., contemplation; current of the coming - expectation; current of the past - reminiscence. Structural principle realization of current segments, linking as a whole, is found in P. Florenskys works. It was he who stated scientific realizing of artistic time (as procedural construction). Formation processes on non-linear dynamics were particularly considered in Ilya Prigozhins works. Realizing story as a dynamic process pattern, the process of one realitys being by another reality, ushers in the possibilities for film artistic time theory. For the aim of film artistic study it is reasonable to engage priorities considered as: 1. Investigation of this very principle. 2. Investigation of perfect feature for intra-frame time. Artistic time realizing is the corner-stone for film product shaping.