Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound | Zendy

Yulia Vsevolodovna Mikheeva | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

Musical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound

Author(s) -

Yulia Vsevolodovna Mikheeva

Publication year - 2013

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik5343-51

Subject(s) - minimalism (technical communication) , musical , interpretation (philosophy) , meaning (existential) , sound (geography) , aesthetics , perception , art , space (punctuation) , value (mathematics) , visual arts , linguistics , philosophy , acoustics , epistemology , computer science , physics , human–computer interaction , machine learning

The article analyses the role of musical minimalism in the aesthetic perception and theoretical interpretation of a film. This analysis is based on two phenomena: the transcendizing of the artistic space via the inherent value of an isolated sound and the change in the meaning of time through the repetitiveness of musical techniques.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research