Open AccessMusical Minimalism in the Movies: the Metamorphoses of Time and the Emergence of Sound
Author(s) -
Yulia Vsevolodovna Mikheeva
Publication year - 2013
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik5343-51
Subject(s) - minimalism (technical communication) , musical , interpretation (philosophy) , meaning (existential) , sound (geography) , aesthetics , perception , art , space (punctuation) , value (mathematics) , visual arts , linguistics , philosophy , acoustics , epistemology , computer science , physics , human–computer interaction , machine learning
The article analyses the role of musical minimalism in the aesthetic perception and theoretical interpretation of a film. This analysis is based on two phenomena: the transcendizing of the artistic space via the inherent value of an isolated sound and the change in the meaning of time through the repetitiveness of musical techniques.