
European Film Avant-Garde: phenomenological interpretation of reality
Author(s) -
Maksim Vyacheslavovich Lyubovich
Publication year - 2013
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik51140-148
Subject(s) - interpretation (philosophy) , animism , phenomenon , epistemology , perception , phenomenology (philosophy) , philosophy , phenomenological method , aesthetics , theology , linguistics
The article deals with the historical and cultural genesis of the photogenes phenomenon. The author sees the roots of photogenes not only in the phenomenological philosophy, but also in Berkeley’s perception theory, in the philosophy of the mythos and primeval animism. Having originated in the twenties photogenes proves to be an isolated incident of a particular world perception manifested throughout centuries in various spheres of human activities. The author describes it as a phenomenological interpretation of reality.