The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory | Zendy

Ljudmila Borisovna Kluyeva | Zendy

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The Non-Selection Virus. A. Zvygintsev’s “Elena” in Terms of Identity theory

Author(s) -

Ljudmila Borisovna Kluyeva

Publication year - 2012

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik446-18

Subject(s) - identity (music) , style (visual arts) , selection (genetic algorithm) , sociology , epistemology , aesthetics , art , philosophy , literature , computer science , artificial intelligence

The article (the conclusion; for the beginning see ## 12-13) investigates the artistic peculiarities of A. Zvyagintsev's new film “Elena” which stands apart from all his preceding work. In a sense, the film demonstrates the director’s rejection of the previously found pattern associated with Zvyagintsev’s style. The analysis is done from two points of view: the philosophy of the film (the anthropological aspect) and in terms of the identity.

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