Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4) | Zendy

Yelena Arsenyevna Klopotovskaya | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

Some Aspects of Semantics of Color in Film and Cultural Tradition (Conclusion. Beginning, # 3-4)

Author(s) -

Yelena Arsenyevna Klopotovskaya

Publication year - 2010

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik2354-63

Subject(s) - palette (painting) , semantics (computer science) , perception , aesthetics , computer science , art , linguistics , psychology , visual arts , epistemology , philosophy , programming language

(Conclusion. For beginning see Issue #3-4)The article is devoted to an important topic: the semantics of color in ilms and its relection in the costume. It also touches upon the problem of visual perception and forming diferent color systems. Digital technologies open widest opportunities in the ield of ilm production, but the ofered rich color palette is used very poorly. It is worth reminding that color is one of ilm's main expressive means and should be treated with proper attention.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research