Theory of Marginality and the Cinemaof Postmodernism (P.P. Pasolini,R. Khamdamov, J. Stelling, L. von Trier)
Author(s) -
Диана Викторовна Кобленкова
Publication year - 2010
Publication title -
journal of film arts and film studies
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik2298-121
Subject(s) - postmodernism , context (archaeology) , humanities , art , sociology , psychoanalysis , literature , history , psychology , archaeology
The paper analyses four «auteur» films: «Salo, or the 120 Days of Sodom» (P.P. Pasolini), «Anna Karamazoff» (R. Khamdamov), «De Wisselwachter» (J. Stelling), «Breaking the Waves» (L. von Tier) in the context of the postmodern theory of marginality.
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