Some Aspects of Film Color Semantics and Cultural Tradition | Zendy

Elena Arsen'evna Klopotovskaya | Zendy; Yelena Arsenyevna Klopotovskaya | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

Some Aspects of Film Color Semantics and Cultural Tradition

Author(s) -

Elena Arsen'evna Klopotovskaya,

Yelena Arsenyevna Klopotovskaya

Publication year - 2010

Publication title -

journal of film arts and film studies

Language(s) - English

Resource type - Journals

eISSN - 2713-2471

pISSN - 2074-0832

DOI - 10.17816/vgik2288-97

Subject(s) - palette (painting) , semantics (computer science) , movie theater , perception , reflection (computer programming) , field (mathematics) , computer science , aesthetics , color term , visual arts , art , artificial intelligence , epistemology , mathematics , philosophy , pure mathematics , programming language

The article is devoted to an important topic: the semantics of color in films and its reflection in the costume. It also touches upon the problem of visual perception and forming different color systems. The problem of color is essential for contemporary Russian cinema. Digital technologies open widest opportunities in the field of film production, but the available rich color palette is used very poorly. It is worth reminding that color is one of the film's main expressive means and should be treated with proper attention.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research