Open AccessSome Aspects of Film Color Semantics and Cultural Tradition
Author(s) -
Elena Arsen'evna Klopotovskaya,
Yelena Arsenyevna Klopotovskaya
Publication year - 2010
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik2288-97
Subject(s) - palette (painting) , semantics (computer science) , movie theater , perception , reflection (computer programming) , field (mathematics) , computer science , aesthetics , color term , visual arts , art , artificial intelligence , epistemology , mathematics , philosophy , pure mathematics , programming language
The article is devoted to an important topic: the semantics of color in films and its reflection in the costume. It also touches upon the problem of visual perception and forming different color systems. The problem of color is essential for contemporary Russian cinema. Digital technologies open widest opportunities in the field of film production, but the available rich color palette is used very poorly. It is worth reminding that color is one of the film's main expressive means and should be treated with proper attention.