Open AccessStunt trickery as an effective spectacle means of artistic expressiveness
Author(s) -
Dzhan I. Danilov
Publication year - 2018
Publication title -
vestnik vgik
Language(s) - English
Resource type - Journals
eISSN - 2713-2471
pISSN - 2074-0832
DOI - 10.17816/vgik10378-85
Subject(s) - popularity , spectacle , narrative , movie theater , aesthetics , production (economics) , computer science , art , multimedia , architectural engineering , engineering , visual arts , literature , psychology , economics , social psychology , microeconomics , market economy
The article looks into the notions of film stunt and stunt technical skills as the most expressive and memorable means of an audiovisual production. On the whole, the stunt as a concept has undergone a considerable evolution adjusting itself to the screen narrative and forming its inventory of stunt performance. The term served as the basis for the emergence of the so called stunt cinema which gained popularity and consumer demand. In modern film industry, stunt films are considered highly profitable.