Open AccessThings in cinema as a phenomenon of cultural reality
Author(s) -
Svetlana S. Orishchenko
Publication year - 2021
Publication title -
aspirantskij vestnik povolžʹâ
Language(s) - English
Resource type - Journals
eISSN - 2410-3764
pISSN - 2072-2354
DOI - 10.17816/2072-2354.2021.21.2.73-77
Subject(s) - movie theater , object (grammar) , phenomenon , aesthetics , subject (documents) , value (mathematics) , point (geometry) , element (criminal law) , order (exchange) , film studies , sociology , art , computer science , epistemology , visual arts , philosophy , political science , artificial intelligence , world wide web , law , mathematics , geometry , finance , machine learning , economics
The objects, items, things that are most often used in the film texts of modern Russian cinema require close attention from the film culture point of view. The material world helps to realize the value of an object and its influence on the subject. The attitude to things and objects characterizes modern society from the point of view of order-chaos. Contemporary domestic film texts are interpreted by specialists and spectators, intended for a wide audience of the audience. A person is immersed in a system of symbols, and in cinema he seeks confirmation of this or that stable element of the virtual world, which he correlates with his real experience. Things, objects and objects can tell about the main thing, so they cannot be ignored, pass by this or that symbolic object.