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The Poetics of Adaptation in Frankenstein in Baghdad
Author(s) -
Asst. Prof. Raad Kareem Abd-Aun Asst. Lec. Ameer Abd Hadi
Publication year - 2021
Publication title -
psychology and education journal
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.112
H-Index - 10
ISSN - 0033-3077
DOI - 10.17762/pae.v58i2.2332
Subject(s) - monster , hatred , poetics , literature , art , consciousness , philosophy , history , law , poetry , political science , epistemology , politics
During the peak of the sectarian war in Iraq after the US invasion in 2003, there seemed to be an absolute absence of the mind and a great deal of hatred and tension among the people of Baghdad that turned into maddening acts of terrorism, like car bombings and suicide bombers, killing thousands of innocent people. Frankenstein in Baghdad came to be the mouthpiece of that very critical phase in the modern history of Iraq. The abundant acts of killing and bloodshed during 2005 turned into an ugly form of a monster called " Whatsitsname" formed from the fragmented parts of those killed by terrorist acts. The creature bears a clear resemblance to Marry Shelley's monster in her novel Frankenstein. The monster is a loose perpetrator that kills whoever it meets. This study attempts to analyze the writer's poetics of adaptation in the novel and his debt to other literary works.

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