Open AccessA. Volynsky. Critical and Dogmatic elements in Кant's philosophy (parts XV–XVI)
Author(s) -
Olga V. Shalygina
Publication year - 2020
Publication title -
solovʹëvskie issledovaniâ
Language(s) - English
Resource type - Journals
ISSN - 2076-9210
DOI - 10.17588/2076-9210.2020.4.047-061
Subject(s) - sublime , transcendental number , philosophy , epistemology , transcendental idealism , transcendental philosophy , aesthetics
We present here sections XV–XVI of A. Volynsky’s article “Critical and Dogmatic Elements in Kant’s Philosophy”, which are devoted to an analysis of such categories of Kant’s aesthetics as “the beautiful” and “the sublime.” Volynsky emphasizes the special significance of the problem of the unity of Kant’s transcendental aesthetics and transcendental logic, as well as the unity of the critical and dogmatic foundations of his philosophy. This article is included in full in Volynsky’s A Book of Great Anger, which constructs on the basis of Kant’s categories of “the beautiful” and “the sublime” a picture of the development of Russian literature at the turn of the century, as well as a theory of the Russian ballet of the 1920s.