Open AccessThe Congo as topos of dystopic transgression in fin-de-siècle literature
Author(s) -
Sarah De Mul
Publication year - 2017
Publication title -
tydskrif vir letterkunde
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.15
H-Index - 5
eISSN - 2309-9070
pISSN - 0041-476X
DOI - 10.17159/2309-9070/tvl.v.46i1.3468
Subject(s) - ideology , narrative , colonialism , theme (computing) , topos theory , representation (politics) , literature , history , philosophy , art , politics , law , archaeology , political science , computer science , operating system
In this essay, I compare the representation of the Congo as a topos of dystopic transgression in Conrad’s Heart of Darkness (1902), and in a lesser-known novel entitled Tropenwee (Tropical agony) by the Dutch author Henri van Booven, published in 1904. The idea of the Congo as a locus of degeneration will be read, not so much as a Conradian theme, but rather, as an idea that had gained wide currency throughout Europe during the fin-de-siècle period. Particular attention will be paid to some of the narrative techniques that shape this idea and the ideological assumptions it conveys. Moreover, I hope to show that degeneration as reflected by the writings under investigation is at once a colonial and anti-colonial theme, and therefore its significance requires moving beyond singular and clear-cut ideological labels.