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A Master’s Monument Shakespeare’s Sonnets in the Poetry of W. B. Yeats
Author(s) -
Charles I. Armstrong
Publication year - 2010
Publication title -
early modern culture online
Language(s) - English
Resource type - Journals
ISSN - 1892-0888
DOI - 10.15845/emco.v1i1.1243
Subject(s) - sonnet , appropriation , poetry , literature , meaning (existential) , art , philosophy , linguistics , epistemology
This article explores the reception of Shakespeare’s Sonnets by W.B. Yeats. In her recent study Our Secret Discipline: Yeats and Lyric Form (2007), Helen Vendler has stressed the importance of taking the formal structures of W. B. Yeats’ poetry seriously. If her analyses occasionally seem overwrought in all their technical detail, she nevertheless forcefully argues that “technique was never, for Yeats, without conceptual meaning” (153). But the actual conceptual meanings she brings forth are often less than convincing – particularly so in the case of Yeats’ appropriation of the Shakespearean sonnet.

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