Open AccessRepresentation of the Sociocultural Institute of the Army and the Serviceman in Contemporary Russian and American Cinema: an Experience of Comparative Analysis
Author(s) -
Igor E. Mishchenko,
Merc Af «Afa» a branch in Chelyabinsk
Publication year - 2021
Publication title -
izvestiâ uralʹskogo federalʹnogo universiteta. seriâ 1. problemy obrazovaniâ, nauki i kulʹtury/izvestiâ uralʹskogo federalʹnogo universiteta. seriâ 1, problemy obrazovaniâ, nauki i kulʹtury
Language(s) - English
Resource type - Journals
eISSN - 2587-7151
pISSN - 2227-2275
DOI - 10.15826/izv1.2021.27.1.015
Subject(s) - movie theater , representation (politics) , context (archaeology) , sociocultural evolution , media studies , relation (database) , national security , political science , politics , gender studies , sociology , history , law , art history , archaeology , database , computer science
The article discusses the issue of cultural aspects of national security in its relation to the context of contemporary art. The author examines Russian and American military cinematography of the 2010s. It is revealed that typical features of the representation of images of the army, the soldiers and the war in general in two different national cinematographic schools. The connection between the features of war cinema and the specifics of historical fate and the circumstances of current foreign policy is marked out. In conclusion, the author identifies some of the risks and threats to national cultural security associated with the broadcast into the Russian cultural space of the point of view expressed in American war cinema.