The cinematic insular landscape as the beginning and the end - focused on Antonioni's L'Avventura and Tarkovsky's Solaris | Zendy

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The cinematic insular landscape as the beginning and the end - focused on Antonioni's L'Avventura and Tarkovsky's Solaris

Author(s) -

이익주

Publication year - 2012

Publication title -

contemporary film studies

Language(s) - English

Resource type - Journals

eISSN - 2733-9165

pISSN - 1975-5082

DOI - 10.15751/cofis.2012.8.2.417

Subject(s) - art , visual arts , aesthetics , art history

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