Tu voz en mi garganta. Lecturas de cabecera de Pablo del Águila

A writer is always inscribed in a specific ideological and literary horizon, with all that that implies. The eternal tension between reading and the empty blank page is configured and articulated through writing; anchoring us to a specific tradition that, in turn, commits us to a historical reading of literature. This last question, the commitment, decisively configures not only the literary tradition in which Pablo del Águila is inscribed: Celaya, Otero, Vallejo, Brecht, among others, as well as the different readings that literary criticism has issued on this tragic writer from Granada. And here appear other names: Juan Carlos Rodríguez, José Ortega, Jairo García Jaramillo and Elisa Sartor - with this we offer only a sample -. Through these and others (and their corresponding readings) we will trace the authors of the writer from Granada’s nightstand; and how these readings commit him to a specific ideological horizon: writing understood as an instrument of ideological struggle