
„Należy od nowa przywitać się ze śmiercią”. Baka Eugeniusza Tkaczyszyna‑ Dyckiego
Author(s) -
Ireneusz Szczukowski
Publication year - 2022
Publication title -
studia slavica
Language(s) - English
Resource type - Journals
eISSN - 2571-0281
pISSN - 1803-5663
DOI - 10.15452/studiaslavica.2021.25.0017
Subject(s) - poetry , silence , baroque , literature , art , philosophy , subject (documents) , aesthetics , library science , computer science
This article focuses mainly on three texts by the polish poetry Eugeniusz Tkaczyszyn‑Dycki that refer to baroque poet Józef Baka: Baka uwodzi Stefanię Dycką (Baka Seduces Stefania Dycka) Baka winny istnieniu Stefanii Dyckiej (Baka Guilty of Stefania Dycka’s Existence) Stefania Dycka poruszona widokiem Baki (Stefania Dycka Moved by Seeing Baka). We should remember that Dycki’s speech is centered around loss, so it is an attempt to invent a language that could bear the heterogeneity of death. To avoid slipping into silence, the author updates the old Polish tradition of funeral poetry, particularly the “black carnival” of late‑Baroque writer Józef Baka, which provides a specific ma‑ trix of meaning, of the way to communicate with oneself and with the reader. The subject of the analysis are therefore references to the threads of Baka’s poetry, which have been transformed in Dycki’s poetic discourse.