
Musical Cosmopolitanism in Central America: in search of an Obituary of Alejandro Cousin (ca. 1835 - 1910)
Author(s) -
Bernard Gordillo Brockmann
Publication year - 2021
Publication title -
ensayos: historia y teoría del arte
Language(s) - English
Resource type - Journals
ISSN - 1692-3502
DOI - 10.15446/ensayos.v24n38.98373
Subject(s) - cousin , obituary , musical , state (computer science) , performance art , history , political science , economic history , sociology , art history , art , law , literature , algorithm , computer science
During the latter half of the nineteenth century, the countries of Central America incorporated European musicians into their state-generated projects. Administrations from Guatemala to Costa Rica appointed composers from Italy, Germany, Belgium, and Spain to help stimulate national musical culture and education, giving them leadership roles in state institutions. Belgian composer and conductor Alejandro Cousin arrived in the late 1850s and spent the rest of his life in El Salvador and Nicaragua where he established the national military band. This article, in the form of an obituary, sheds light on his noteworthy artistic legacy in Central America.