Open AccessAspects of Television Temporality
Author(s) -
Andrzej Gwóźdź
Publication year - 1999
Publication title -
kinema
Language(s) - English
Resource type - Journals
eISSN - 2562-5764
pISSN - 1192-6252
DOI - 10.15353/kinema.vi.886
Subject(s) - movie theater , temporality , materiality (auditing) , object (grammar) , ontology , reel , art , aesthetics , philosophy , art history , visual arts , epistemology , linguistics
ON SOME ASPECTS OF TELEVISION TEMPORALITY If there is a film that makes the way of existence of its images the object of its discourse, then Cinema Paradiso (Nuovo Cinema Paradiso, by Giuseppe Tornatore, France/Italy, 1989) undoubtedly is that film. It is just here that in an almost demonstrative way the duality of a film iconosphere is shown: a pictorial passage on a film reel on the one hand, and immateriality of die luminous screen phantom on the other, a "film-reel" and a "film-projection."(1) It is here that the cinema shows its ontology as a mechanism of difference between materiality of a fundamental cinematographic apparatus and immateriality of a cinematic mechanism that actually results in the source of the cinema. If we were to look for a similar justification for the ontology of television, we would surely have to locate it within the "time of expression," that is,...