The Female Double | Zendy

Christina Stojanova | Zendy

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The Female Double

Author(s) -

Christina Stojanova

Publication year - 2015

Publication title -

kinema a journal for film and audiovisual media

Language(s) - English

Resource type - Journals

eISSN - 2562-5764

pISSN - 1192-6252

DOI - 10.15353/kinema.vi.1325

Subject(s) - aka , facticity , allegory , art , subjectivity , art history , humanities , philosophy , library science , epistemology , computer science

THE FEMALE DOUBLE: SUBJECTIVITY BETWEEN ALLEGORY, FACTICITY AND MARIVAUDAGE 'What is mind? No matter. What is matter? Never mind'George Berkeley (1685-1753) It is certainly significant that in two subsequent years Cristian Mungiu's film, Beyond the Hills (Dupa dealuri, Romania-France-Belgium, 2012) - or BTH - and Abdellatif Kechiche's Blue Is the Warmest Colour (aka La vie d'Adèle, France-Belgium-Spain, 2013) - or BITWC - were nominated for the highest award at the Cannes film festival, which the latter did get, while Mungiu (who got the Palme D'Or in 2007 for his 4 Months, 3 weeks and 2 Days/ 4 luni, 3 saptamâni si 2 zile) had to settle for the Best Screenplay award. But even more remarkable is that the duos of principal actresses - the Romanians Cristina Flutur and Cosmina Stratan, and the French Léa Seydoux and Adèle Exarchopoulos - became recipients of the Best...

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