Open AccessThe Philosopher Cameo
Author(s) -
Trine Riel
Publication year - 2015
Publication title -
kinema
Language(s) - English
Resource type - Journals
eISSN - 2562-5764
pISSN - 1192-6252
DOI - 10.15353/kinema.vi.1318
Subject(s) - movie theater , philosophy , value (mathematics) , epistemology , western philosophy , philosophical methodology , mode (computer interface) , philosophy of sport , modern philosophy , philosophy education , contemporary philosophy , art history , art , computer science , machine learning , operating system
THE PHILOSOPHER CAMEO Within current film studies a distinction is made between what are termed respectively "philosophy of film" and "film as philosophy" (or in some extreme cases "filmosophy").(1) While philosophy of film refers to a philosophical study of films, "a discussion of philosophical problems related to film, its nature, effects, and value", film as philosophy proposes the medium of film itself as a mode of philosophising, a way of doing philosophy.(2) What the film as philosophy thesis proposes, in short, is that some works of film "through means exclusive to cinema" can be understood to make concrete, epistemological contributions to philosophy that are just as rigorous as traditional philosophical propositions expressed linguistically.(3) And further, that it is not by citation of existing philosophical texts, or by having a recognised philosopher talk on screen, that a film can be said to align itself with philosophical activity:...