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Hana Bi
Author(s) -
Hai Leong Toh
Publication year - 2008
Publication title -
kinema
Language(s) - English
Resource type - Journals
eISSN - 2562-5764
pISSN - 1192-6252
DOI - 10.15353/kinema.vi.1188
Subject(s) - cult , art , art history , uncanny , fireworks , visual arts , history , literature , ancient history , archaeology
Hana Bi (Fireworks, 1997). Japan. Dir: Takeshi Kitano. Cast: Takeshi Kitano, Kayoko Kishimoto, Ren Osugi, Susumu Terajima, Tetsu Watanabe, Hakuryu Minato-ku. After winning the Golden Lion at last year's Venice Film Festival, the elegiac and violent yakuza-cop film Hana-Bi (Fireworks) by Japanese director (Beat) Takeshi Kitano drew a full crowd at its preview at the Academy Theatre on a frosty morning in Pusan last October. The full house testified to the power of a Kitano film which now commands a loyal following verging on the fanatical. In fact, his films attract far more viewers than the cult films of Quentin Tarantino such as Reservoir Dogs and Pulp Fiction. Kitano's films are characterised by his uncanny ability to create, like in the eye of a storm, a quiet beginning which is suddenly whipped into a ferocious chain of events. However, they have none of the sadness of Hou Hsiao-hsien's landmark gangster...

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