Open AccessRepresentations of Female Sexuality in Polish cinema after 1989
Author(s) -
Elżbieta Ostrowska
Publication year - 2005
Publication title -
kinema
Language(s) - English
Resource type - Journals
eISSN - 2562-5764
pISSN - 1192-6252
DOI - 10.15353/kinema.vi.1109
Subject(s) - human sexuality , femininity , movie theater , ideology , context (archaeology) , mythology , gender studies , representation (politics) , sexualization , commodification , sociology , national cinema , art , aesthetics , literature , history , politics , political science , law , market economy , archaeology , economics
REPRESENTATIONS OF FEMALE SEXUALITY IN POLISH CINEMA AFTER 1989: LIBERATION OR COMMODIFICATION? IN CONSIDERING the issue of female sexuality in Polish cinema after 1989 it is necessary to locate it within the broader context of the Polish ideological discourse on femininity and the representation of sexuality in Polish cinema. First, it can be claimed that specific historical circumstances resulted in the domination of national issues over that of gender, and that gender roles were predominantly defined according to the demands of the national ideology of Polishness. The origins of the Polish dominant discourse on femininity can be found in the 19th century, particularly when the myth of the Polish Mother was created. (1) The analysis of representations of this myth in Polish art demonstrates strongly that they were based on the tradition of the representation of the Virgin Mary. Using this representative model inevitably led to a de-sexualization...