Open AccessNationalist Hindi Cinema
Author(s) -
Valentina Vitali
Publication year - 2004
Publication title -
kinema
Language(s) - English
Resource type - Journals
eISSN - 2562-5764
pISSN - 1192-6252
DOI - 10.15353/kinema.vi.1058
Subject(s) - movie theater , nationalism , hindi , capitalism , film industry , historiography , sociology , aesthetics , history , political science , media studies , social science , law , art , art history , politics , philosophy , linguistics
NATIONALIST HINDI CINEMA: QUESTIONS OF FILM ANALYSIS AND HISTORIOGRAPHY The forty years or so from the beginning of cinema world-wide at the end of the nineteenth century to the consolidation of a domestic film industry in South Asia in the 1930s coincided with the project of nation-building that envisioned a variety of horizons, and with the sedimentation of some of those prospects into the coalition ready to inherit the rule from the British Raj. Cinema played a crucial role in mediating the terms by which India came into being as a modern nation. As Ernest Gellner saw it, it is the homogenizing effect of an economic system such as industrial capitalism, and, within it, the occupational mobility and the division of labour leading to the breaking down of pre-industrial, hierarchical, self-contained social categories, that lead to the "invention" of nationalism. With the advent and spread of capitalism, "culture is...