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Deconstructing the Forced Assimilation of Deaf People via De'VIA Resistance and Affirmation Art
Author(s) -
Durr Patricia
Publication year - 1999
Publication title -
visual anthropology review
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.346
H-Index - 18
eISSN - 1548-7458
pISSN - 1058-7187
DOI - 10.1525/var.2000.15.2.47
Subject(s) - resistance (ecology) , citation , assimilation (phonology) , sociology , art history , history , library science , computer science , philosophy , linguistics , ecology , biology
Historically many outstanding artists who were deaf have contributed to the visual arts, such as: Louis Frisino, Felix Kowalewski, Granville Redmond, Cadwallader Washburn, and Regina Olson Hughes. While these distinguished artists have enhanced the field of art, their work has not focused on the Deaf experience itself. With a heightened appreciation, acceptance, and acknowledgment of Deaf culture and American Sign Language (ASL), we see a virtual explosion of Deaf artists moving away from mainstream art to art that gives voice to their unique cultural experiences. This movement in the United States is known as Deaf View/Image Art (De'VIA). This paper will discuss the historical contexts for a shift in subject matter by North American Deaf artists and the meaning of Deaf View/Image Art. In addition, an analysis of two major Deaf artists and their significant impact on the field of visual art will be presented. The importance of such politically-charged art is a focus on thematic choices that reflect and represent the shift from a rhetoric of victimization to resistance a rejection of the "hearingization" of Deaf people: