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An Ethnography of Emerging Latino Music Scenes
Author(s) -
Kotarba Joseph A.,
Fackler Jennifer L.,
Nowotny Kathryn M.
Publication year - 2009
Publication title -
symbolic interaction
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.874
H-Index - 47
eISSN - 1533-8665
pISSN - 0195-6086
DOI - 10.1525/si.2009.32.4.310
Subject(s) - ethnography , sociology , dance , spirituality , symbolic interactionism , citizenship , popular music , aesthetics , visual arts , psychology , gender studies , media studies , anthropology , art , social science , political science , medicine , alternative medicine , pathology , politics , law
We report on an ethnographic study of three emerging scenes in which Latino music is produced, performed, experienced, and celebrated in Houston, Texas: rock en Espanol, gay Latino dance music, and professional soccer supporters' music. Music is an important feature of Latino culture, since it informs migration, citizenship, spirituality, and other aspects of the contemporary Latino experience. Three interactionist concepts inform this study. The concept of scene directs our attention to the comprehensive social worlds driven by Latino music. The concept of idioculture directs our attention to the ways audience members experience Latino music within everyday life small groups. The concept of place directs our attention to how Latino music creates new locations to anchor the self in reference to country of origin, present music communities, or possible symbolic locations such as America or La Raza. We conclude with suggestions for a revised interactionist concept of music scene.