Premium
Secondary Popular Culture
Author(s) -
Bennett H. Stith
Publication year - 1979
Publication title -
symbolic interaction
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.874
H-Index - 47
eISSN - 1533-8665
pISSN - 0195-6086
DOI - 10.1525/si.1979.2.1.117
Subject(s) - profit (economics) , popular culture , process (computing) , sociology , context (archaeology) , production (economics) , work (physics) , epistemology , public relations , media studies , computer science , political science , economics , history , engineering , microeconomics , mechanical engineering , philosophy , archaeology , operating system
In the context of “primary process” assumptions concerning mass distributed culture, the idea of “secondary process” assumptions is developed. A secondary popular culture process (1) is focused on the time period after “legitimate” distribution is conventionally considered complete, (2) treats “finished” cultural materials as raw materials, (3) takes for granted the design and actualization features of “legitimate” production and distribution (which is tantamount to “sacredness”), (4) “turns over” nationally (and internationally) produced wants (“markets”) at the local level for local profit, and (5) creates localized occupational, professional, and stylistic identities which are unanticipated consequences of the centralized producer's work. The idea is then illustrated through a brief discussion of the author's research concerning local popular music performers.