Autenticidad enunciativa y sociosemántica del pop-rock en español | Zendy

María Martínez Casas | Zendy

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Autenticidad enunciativa y sociosemántica del pop-rock en español

Author(s) -

María Martínez Casas

Publication year - 2017

Publication title -

atem archiv für textmusikforschung

Language(s) - English

Resource type - Journals

ISSN - 1562-6490

DOI - 10.15203/atem_2016.04

Subject(s) - lyrics , value (mathematics) , perspective (graphical) , key (lock) , humanities , semiotics , art , rock music , order (exchange) , linguistics , sociology , popular music , literature , visual arts , philosophy , computer science , computer security , machine learning , finance , economics

From a sociological perspective, the aesthetic value of authenticity is considered a key feature musicians must have in order to enter the pop-rock canon (Val, Noya & Pérez-Colman 2014; Appen & Doehring 2006). The present paper aims to identify and analyse different strategies employed to suggest authenticity regarding enunciation (Laferl 2005) and social semiotics (Halliday 1978) in pop-rock song lyrics. To this end, a 120.000-word corpus of 722 songs in Spanish was compiled and analysed in terms of frequencies, participants, key words and practice patterns.

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