Open AccessНостальгия в системе базовых оппозиций „добро” и „зло” в автодокументальных произведениях Людмилы Улицкой „Детство 45–53: а завтра будет счастье” и Светланы Алексиевич „Время секонд хэнд”
Author(s) -
Ludmiła Szewczenko
Publication year - 2019
Publication title -
studia rossica posnaniensia
Language(s) - English
Resource type - Journals
eISSN - 2720-703X
pISSN - 0081-6884
DOI - 10.14746/strp.2019.44.1.6
Subject(s) - opposition (politics) , paradise , history , epoch (astronomy) , aesthetics , psychology , art , psychoanalysis , art history , political science , law , computer science , politics , stars , computer vision
The vision of the world portrayed in L. Ulitskaya’s and S. Alexievich’s books is built upon the basic opposition of good and evil. The category of prosthetic memory is juxtaposed with the personal experience of participants and witnesses of the past epoch who tell us about the past. The memories of the lost paradise of the serene years bring about narrators’ and responders’ nostalgia.