Open AccessIluzje obecności. Cielesność w Bez końca Krzysztofa Kieślowskiego
Author(s) -
Kamila Kulessa
Publication year - 2019
Publication title -
przestrzenie teorii
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 2
eISSN - 2450-5765
pISSN - 1644-6763
DOI - 10.14746/pt.2018.30.17
Subject(s) - articulation (sociology) , dimension (graph theory) , identification (biology) , art , political science , mathematics , combinatorics , botany , politics , law , biology
This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainly on representations of corporality. The article attempts to interpret possible meanings of the phantasmatic dimension of existence and its impact on the reality constructed in the film. It also examines issues related to identification and the articulation of sensuous presence in cinematic images.