Open AccessWajda autotematyczny. Wszystko na sprzedaż i Tatarak Andrzeja Wajdy
Author(s) -
Wojciech Otto
Publication year - 2017
Publication title -
przestrzenie teorii
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 2
eISSN - 2450-5765
pISSN - 1644-6763
DOI - 10.14746/pt.2017.27.12
Subject(s) - novelty , reflexivity , perspective (graphical) , reflection (computer programming) , expression (computer science) , art , aesthetics , sociology , visual arts , philosophy , computer science , theology , social science , programming language
Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sale and Sweet Rush. These are connected by collective reflexive contexts, as well as by a tendency to promote formal novelty. They can be analysed from the perspective of “a film in a film”, which is a story about making a film or “a film about a film”, which is a reflection on the cinematographic means of expression.