Open Access„Pan sądzi, że koniec bliski?”. Późny modernizm, duchy kina i Wesele Andrzeja Wajdy
Author(s) -
Miłosz Stelmach
Publication year - 2017
Publication title -
przestrzenie teorii
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 2
eISSN - 2450-5765
pISSN - 1644-6763
DOI - 10.14746/pt.2017.27.11
Subject(s) - narrative , subjectification , literature , art , history , reflection (computer programming) , art history , philosophy , linguistics , computer science , programming language
The aim of the article is to place Andrzej Wajda’s work from the early 1970s in the late-moderist trend developing in Polish film at that time. The best example of this is The Wedding (1972), which implements modernist strategies of subjectification, self-reflection and stylisation at the artistic and narrative level. The presence of ghosts in this film especially leads to a theoretical discussion on the spectral nature of the medium of film.