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Dvokrilnost istine u Divljoj patki: Platon, Ibsen i Krleža
Author(s) -
Ana Tomljenović
Publication year - 2021
Publication title -
poznańskie studia slawistyczne
Language(s) - English
Resource type - Journals
eISSN - 2450-2731
pISSN - 2084-3011
DOI - 10.14746/pss.2021.20.12
Subject(s) - socratic method , darwin (adl) , philosophy , symbol (formal) , reading (process) , literature , connection (principal bundle) , epistemology , art , linguistics , computer science , software engineering , structural engineering , engineering
Questioning the commonly held assumption in critical reception that Ibsenʼs symbol of the wild duck was influenced by Darwinʼs theory, I want to argue that the wild duck flew into Ibsenʼs play all the way from Platoʼs aporetic dialogue The Theaetetus. Following Lacanʼs reading of Plato, I want to examine the connection between the Socratic position towards knowledge – especially the rupture between knowledge and truth – and the treatment of dramatic dialogue in Ibsenʼs The Wild Duck and Krležaʼs The Glembays.

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