Open AccessFryderyk Chopin i Łesia Ukrainka. Per me
Author(s) -
Myroslav Trofymuk
Publication year - 2021
Publication title -
poznańskie studia polonistyczne. seria literacka
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 1
eISSN - 2450-4947
pISSN - 1233-8680
DOI - 10.14746/pspsl.2021.41.6
Subject(s) - poetry , apotheosis , art , literature , melody , reminiscence , key (lock) , expression (computer science) , musical , rhythm , psychology , visual arts , aesthetics , cognitive psychology , computer science , computer security , programming language
The key word of the essay is per me, as I present in it my own reminiscence from my childhood and youth, which was when I first came into contact with the works of two exceptional maestros: Frédéric Chopin and Lesya Ukrainka (the pen name of Larysa Kosach). Chopin created musical poetry, while Lesya – a rhythmic and melodic verbal poetry. The dialogue of the two authors sounds amazing, uncovering an optimistic apotheosis of survival and the trauma of loss – the states expressed in Chopin’s Marche funèbre and by Lesya Ukrainka in her poetry cycle devoted to this composition.The temporarily mature understanding of per me in both these creations also resulted from the trauma caused by the loss of close relatives (first, the grandad at a very young age) and hence became the drive for discovering the content of art and the means of expression characteristic to various branches of art.