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Dialog na styku kultur — Bieszczady
Author(s) -
Alicja Węcławiak
Publication year - 2018
Publication title -
kultury wschodniosłowiańskie oblicza i dialog
Language(s) - English
Resource type - Journals
ISSN - 2391-470X
DOI - 10.14746/kw.2017.7.16
Subject(s) - legend , identity (music) , collective memory , face (sociological concept) , dialog box , ukrainian , history , the holocaust , ethnology , genealogy , sociology , art , art history , political science , aesthetics , law , linguistics , computer science , philosophy , social science , world wide web
Eastern Slavonic cultures are often a conglomeration of patterns of several cultures, which resulted from the past. As Paul Ricouer said, the past is a place of our hidden identity, hurt by the greatest disaster of the twentieth century — bloody regimes. Nazism and bolshevism left their mark on the western world, whose painful consequences we still face today. Bieszczady is a part of Poland, which suffered particularly acutely during and after WWII. It is a place with a kind of a legend, becoming more and more appreciated, because of its tourist attractions, unspoiled nature, magical and largely virginal landscapes. This is a very important area for Slavonic identity, a place with a rich and troubled history — Bieszczady witnesses the actions of the Ukrainian InsurgentArmy and Operation “Vistula”. This article concerns this question, presents excerptsof interviews and memories of participants in those events and shows Bieszczady as a region of the heterogeneous Slavonic culture and a place of memory — both individual and collective.

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