Open AccessW poszukiwaniu hierofanii – o filmie Góra Sulejmana Jelizawiety Stiszowej
Author(s) -
Justyna Czaja
Publication year - 2021
Publication title -
images
Language(s) - English
Resource type - Journals
eISSN - 2720-040X
pISSN - 1731-450X
DOI - 10.14746/i.2021.39.10
Subject(s) - veneration , character (mathematics) , subject (documents) , action (physics) , art , the symbolic , space (punctuation) , dimension (graph theory) , humanities , art history , geography , philosophy , archaeology , combinatorics , linguistics , psychology , mathematics , computer science , physics , geometry , psychoanalysis , quantum mechanics , library science
The subject of the article is Elizaveta Stishova's film Suleiman Mountain, the action of which focuses on the Kyrgyz mountain, surrounded by religious veneration. The title place is treated as a spatial hierophany, that is, according to Mircea Eliade's concept, a place where and through which the sacred is revealed. The text will analyze the film's space-time and its symbolic dimension, and the characters' relations with the title place, especially the relationship between women and the mountain and its mythical character.