Open AccessReligious and quasi-religious attitudes in four Polish documentaries from 2008–2019
Author(s) -
Krzysztof Kopczyński
Publication year - 2021
Publication title -
images
Language(s) - English
Resource type - Journals
eISSN - 2720-040X
pISSN - 1731-450X
DOI - 10.14746/i.2021.39.07
Subject(s) - romanticism , style (visual arts) , grossman , religious belief , religious studies , sociology , aesthetics , art , art history , literature , philosophy , epistemology , keynesian economics , economics
The paper aims to present different ways of showing religious and quasi-religious attitudes in contemporary Polish documentaries. The discussion is based on four feature-length films: Kites by Beata Dzianowicz (2008), Communion by Anna Zamecka (2016), Who Will Write Our History by Roberta Grossman (2018), and Tell No One by Tomasz Sekielski (2019). The author evaluates the methodological usefulness of reflection in the documentary of the “religious film” category used in Polish research and the concept of “transcendent(al) style” taken from Paul Schrader’s book. Occasionally touching upon the question of the relationship with audiences, the author also mentions the paradigm of Polish Romanticism present in contemporary culture.