Open AccessOstensibly indirect narration in films and motion pictures.
Author(s) -
Marek Hendrykowski
Publication year - 2019
Publication title -
images
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
0eISSN - 2720-040X
pISSN - 1731-450X
DOI - 10.14746/i.2019.35.11
Subject(s) - narrative , motion (physics) , aesthetics , motion picture , resolution (logic) , field (mathematics) , art , binary number , visual arts , literature , computer science , artificial intelligence , mathematics , arithmetic , pure mathematics
The article proposes the hypothesis that on the basis of analytical and interpretative practices, when describing, analysing and interpretating moving images, a dichotomous, binary division into objective and subjective images is a highly questionable move: it does not lend itself to an absolutely unequivocal resolution. In film, as in the field of moving images as a whole, there is no objective narration, just as there is no subjective narration. What emerges is an ostensibly dependent narration (or ostensibly independent), blending and merging both of these aspirations in diverse ways.