Open AccessSticking to the “Factual.” Man Ray’s Le Retour à la raison (1923), Marcel Duchamp’s Anémic cinéma (1924–26) and Peter Tscherkassky’s Dream Work (2001)
Author(s) -
Gabriele Jutz
Publication year - 2014
Publication title -
aniki
Language(s) - English
Resource type - Journals
ISSN - 2183-1750
DOI - 10.14591/aniki.v1n2.93
Subject(s) - facticity , immediacy , dream , movie theater , compromise , art , trilogy , realism , art history , work of art , aesthetics , humanities , philosophy , sociology , visual arts , epistemology , psychology , social science , neuroscience