Open AccessEnlarged paintings: a proposal for classification
Author(s) -
Ana Isabel López Bonilla,
José Manuel Barros García,
Susana Martín Rey
Publication year - 2020
Publication title -
conservar património/conservar património
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.229
H-Index - 6
eISSN - 2182-9942
pISSN - 1646-043X
DOI - 10.14568/cp2019032
Subject(s) - painting , iconography , frame (networking) , space (punctuation) , art , key (lock) , visual arts , adaptation (eye) , assemblage (archaeology) , computer science , history , psychology , archaeology , telecommunications , computer security , neuroscience , operating system
The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.